| 112 Interviews In a Single Day: | | | | What's their problem, you might ask? All of these |
| Guinness Record Setting Strategies for | | | | people have to book or write a certain number of |
| PITCHING THE MEDIA | | | | stories each day or week. They are looking for |
| It was mid 2009. I was about to promote my latest | | | | solutions. Be their solution. |
| book. Of course, like every author I thought lets get a | | | | 3) Map it out. |
| ton of publicity and turn this thing into a bestseller. I | | | | Throwing a story topic out to the media and hoping |
| knew a pretty big challenge lay ahead. This was a | | | | they'll flesh it out for themselves is not a recipe for |
| book on communication skills. The trick, as many | | | | success. On the contrary, if you can lay out (further |
| publicists know, is to tie in with something in the news. | | | | down in your press information) exactly what the |
| Would this be enough to get the publicity I needed? | | | | guest or expert can say as well as exactly what the |
| Sadly, the answer was probably not. | | | | story could look like, you will become someone they |
| I realized that I wasn't like every author. I am someone | | | | want to work with. You'll be making their job easier. |
| who has experienced the booking game from both | | | | Once it's booked, you should offer to provide |
| sides of the table. I was a TV producer for 13 years | | | | supporting evidence. Do they need photos? Do they |
| on the national level. I worked for companies like ABC, | | | | need statistics. The better you make them look, the |
| NBC & FOX. Over the years I received thousands and | | | | more they will want to work with you in the future. |
| thousands of pitches. Many of them met the cruel fate | | | | 4) Sell it. |
| of the delete button or trash can. Others found their | | | | Are you in sales? If you are trying to sell the media on |
| way and even tougher conclusion. They weren't | | | | your idea, then you're in sales. Why not use techniques |
| interesting enough to even be opened. During that time | | | | that marketers use with their copy. Here are two |
| I booked more than 5000 segments on topics ranging | | | | strategies that have been proven to work: Emotion |
| from hard news to human interest, celebrities, food, | | | | and Benefits. Include words that are filled with emotion. |
| fitness, fashion, you name it. So I knew what elements | | | | Finding Love at Work or What is in Your Medicine |
| made a pitch shine and reach the next level. After | | | | Cabinet Could Kill You! or Most People Miss Out On |
| leaving television to run a media training company, I | | | | the #1 Tax Tip to Increase Your Income by 25%. All of |
| found myself in the position of many of my guests. | | | | these teases strike people on an emotional level. Could |
| Out of the one hundred emails producers, editors, and | | | | you do this with your topic? |
| station managers see before lunch, I knew mine had to | | | | Benefits are also very important when selling an idea. |
| stand out, meet their needs, and create a desired | | | | Taking our last tease about saving on your money on |
| reaction. What was that action? Getting booked on | | | | your taxes, the benefits on your press materials could |
| their show or being featured in their article. | | | | look like this: |
| Through strategies I figured out along the way, | | | | This one little change can help your audience (or |
| combined with sales training tools my company | | | | readers) to . . . |
| teaches to corporations, I was able to not only get a | | | | Keep much, much more of what they earn |
| few media hits, but was able to turn the publicity for | | | | Get paid to go to school |
| my book into something bigger. After 112 radio | | | | Take tax-free vacations! |
| interviews lasting 5 minutes or more within a 24-hour | | | | 5) Engage. |
| period, my coauthor and I had set a Guinness Record, | | | | Did you notice how the bullet points above made you |
| and our book went on to become a best-seller. | | | | want to ask the question, how?! You need to be |
| Was the record a gimmick? Sure. Did it help us get far | | | | engaging the media person every step of the way. |
| more publicity than we would have ever gotten | | | | You want them to be asking more questions at the |
| pitching the book outright? Absolutely. Do I think you | | | | release state, and you want to be building a relationship |
| need a gimmick every time you pitch the media? No. | | | | long after the booking. |
| Do I think you have to be CREATIVE every time you | | | | 6) No is not a no. |
| pitch the media? Yes. Here are some strategies I use | | | | A |
| on campaigns big and small to get publicity for myself. I | | | | ¡Ãƒâ€šÃ‚ means that you at |
| also use these techniques in teaching PR firms. | | | | least got them to react or respond to you. It means |
| 1 ) Does this press release look like every other press | | | | they know you're alive. It also gives you a sense of |
| release out there? | | | | where you stand with this story for that particular |
| If your answer is yes, yours will likely get lost in the | | | | media outlet. This is all valuable information. It doesn't |
| shuffle. You MUST make the release stand out. A | | | | end there. Now that you've gotten a response, you |
| press release sounds like a standard form, with a | | | | can use it to get one other piece of information. You |
| standard look, and that look is just plain boring. Your | | | | can get a referral or advice on the next step of your |
| goal is not to bore them. I hate to even call it a release. | | | | media pitching. After your no you can write a short |
| Your goal is not to just release information to the | | | | reply with another short question, i.e., No problem. Any |
| press. If your press releases are like releasing a helium | | | | suggestion of another show this might work for? |
| balloon into the sky, it'll go off, never to be seen again! | | | | 7) Headlines. |
| Your goals are very simple when constructing press | | | | Imagine a newspaper with no headlines--Pretty boring |
| releases. First, get your recipients to actually open your | | | | right? Now take a look at your press release. Does it |
| email or package. Next, is to get any kind of reaction | | | | have a headline? Is it as large as a headline? Would |
| from them. You need to get on the right track right | | | | you read the story that it is pointing to? Look through |
| away. Here's my secret for emailing a press release: | | | | newspapers and notice how they get their headlines |
| I always start with their name. I eliminate the Dear or | | | | to be tighter and tighter. Notice how they weave in |
| šÃ‚ greeting. It's just | | | | emotion. Notice how they can compel you to read the |
| too formal. Also, when you start with his or her first | | | | story. That's what you need to learn and practice in |
| name, psychologically, there is the feeling that you and | | | | your press releases. |
| this media person might know each other. It makes | | | | 8) Sound bites. |
| them want to read on. | | | | People wait until the story has been chosen to start |
| I then write one to two sentences steering the media | | | | speaking and using sound bites. That's a mistake. |
| person to my release below. I make sure it has a | | | | These are the elements that make your story shine |
| personal feel and I end with a question. This isn't just | | | | from the get-go. It is what makes it jump off the page. |
| any question. It's a question that requires a yes or no | | | | I define a sound bite as, your message in the exact |
| answer. Here's the brilliance in using this method: The | | | | format the media wants and needs them. In a video |
| media person has limited time and cannot respond to | | | | package, it would be the few answers that actually |
| every pitch that comes through. They can, however, | | | | make it into the piece. In an article, they would be the |
| respond to a yes or no question. In the age of text | | | | quotes from your interview (the few answers that |
| messages and Twitter, communications must be short | | | | make it into the piece). This doesn't mean speaking in a |
| and quick if you want to dramatically increase your | | | | short halting, annoying manner. It means including bullet |
| rate of return. | | | | points in your press information that make the story |
| Now that I' ve done this, I draw a line on the page and | | | | jump of the page. You want them to jump off just as |
| include the old-style release below it. | | | | much as the headlines written for your local paper. |
| Here's an example: | | | | Here are a few elements for building great sound bites. |
| Mary, | | | | Speak using ABSOLUTES. The media doesn't want |
| Thought you could use this end-of-year story. Would | | | | people who have wishy-washy opinions. Saying, This |
| the story below work for your show? | | | | WILL save you money or This is the worst |
| --Jess | | | | government plan in the last 20 years, will get you |
| Jess Todtfeld | | | | noticed and give them a sense of what to expect |
| Success In Media, Inc | | | | when you're booked. |
| ========== | | | | CLICHÃS are actually great for sound |
| STANDARD RELEASE HERE "ENTICING | | | | bites. We've all been taught not to write using |
| HEADLINE" | | | | clichÃs but the media loves to quote other |
| Point of View | | | | people using them. |
| Opinions | | | | Examples: |
| Highlight the best of what you have | | | | At the end of the day . . . our new system is working. |
| Highlight what they'd likely use | | | | The bottom line is . . . this diet works. |
| Add short bio. | | | | They say,A penny earned, but how would you like to |
| Add links to longer bio/YouTube videos/other | | | | have thousands more pennies? |
| supporting documentation. | | | | RHETORICAL QUESTIONS are a great device that |
| CONTACT INFORMATION including cell phone. | | | | journalists use and love. |
| *No attachments. (That's like a job applicant sending a | | | | Example: |
| resume and salary info when you never even told | | | | Should homeowners jump at this new opportunity? |
| them you were hiring.) | | | | You better believe it! |
| 2) Get in their heads. How do they think? Know your | | | | (If you'd like the full list of sound bite techniques, just |
| target. | | | | visit |
| What are your outlets needs? Are you giving them | | | | Don't be like everyone else. You have to stand out |
| what they want? Are you giving them what their | | | | from the crowds of mediocrity if want your |
| audience wants? Keep detailed notes on every media | | | | information, book, idea, etc. to get the right attention. |
| person you talk to. The more you can figure them out, | | | | With these tried and true techniques, you'll be on your |
| the more you can be the answer to their problems. | | | | way to successful media pitching and bookings. |